Playful Work: Media Carriers and Computers

By Tracy Popp

___

This is the second post in the bloggERS! series Digital Archives Pathways, where archivists discuss the non-traditional, accidental, idiosyncratic, or unique paths they took to become a digital archivist.

Geek and Poke Cartoon, "How to Save your Digital Work for Posterity? Alternative 1: Put it on a Disc"

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Although I am not by title a Digital Archivist, I work very closely with our University Archives and other special collections units to make born-digital content accessible and available for processing. So, how did I get to be the first Digital Preservation Coordinator at the University of Illinois Urbana-Champaign and what does that mean? Let me illuminate that through interpretive dance…no, wait. I’ll just tell you via the parts I *think* have contributed to my ending up here. Dance isn’t something I picked up along the way.

I’ve had a fascination with media carriers and digital stuff since childhood. When I was elementary school age, I recall spending time in the Southfield, MI Public Library loading up the microfilm machine to scroll through various newspapers committed to the reel. Was I engaged in some sort of deep historical research as a seven-year-old that required I review these polyester rolls for pertinent info? Nope. I seem to recall the process of loading the machine and staring at an illuminated screen while I scrolled through words and pictures engaging in and of itself. Little did I know how much of that I’d be doing later in life…

Through a varied avenue I found myself moving toward a career path in libraries and archives – one that I had not previously considered. I have a BFA in Photography and Intermedia, which, at the time, was the term used for making digital artwork. Concurrently, I picked up a Computer Information Systems minor after finding that building, breaking and rebuilding computer systems in my spare time also proved an engaging way to support myself.

By working on a visual resources project for an Art History professor where I converted slides and cleaned up images in PhotoShop, to a visit to the Conservation Lab at the Eastman House in Rochester, NY and via other library-related activities, I found my way to graduate school at GSLIS (now the iSchool) at the University of Illinois Urbana-Champaign. There, I had graduate assistant experiences in audiovisual media and visual resources and worked on a pilot project to recover content from legacy born-digital media. My understanding of computer storage media as well as familiarity with a range of operating systems and types of digital content served as a bedrock on this project. I also had the opportunity to build a digital forensics computing workstation and amaze colleagues with the ability to raise files from the dead with my magical powers. My present position reflects this culmination of education and desire to explore and apply a variety of experiences.

As the digital archives landscape is continually evolving, keeping up with professional organizations and meetings is incredibly important. Notably, I completed a Digital Archives Specialist certificate through the Society of American Archivists and recently attended the born-digital archives exchange at Stanford which was an excellent opportunity to meet with colleagues engaged in digital archives. A range of online resources are helpful too, such as the BloggERS! blog, the BitCurator Google group and myriad tech forums dedicated to solving hardware and software challenges.

Through experience I’ve learned to not be timid about thoroughly investigating hardware and software – modern computer systems aren’t as fragile as one may think – although static electricity can shut things down pretty quickly, so ground yourself. Hands on work is essential to understanding and continued learning. Presently, I’m deep into “breaking” a Linux system which has motivated me to learn command line tools for filtering, scripting and system administration. I’ve also lost personal data and learned the hard way about working with copies, making backups and the fallibility of computer media. So, before you experiment with content make sure it’s not the only copy, of course.   🙂

___

Tracy Popp serves as Digital Preservation Coordinator at the University of Illinois Urbana-Champaign. As part of her duties she manages the Born-Digital Reformatting Lab and works closely with Library and Archives colleagues to manage and preserve digital collections.

Digital Archivist in Disguise

By Amber D’Ambrosio

___

This is the first post in the bloggERS! series Digital Archives Pathways, where archivists discuss the non-traditional, accidental, idiosyncratic, or unique paths they took to become a digital archivist.

 

memebetter.com-20170622094502

This is the warning I’ve received at every conference and workshop since I started graduate school coursework in archives. When I applied for my current position as Processing Archivist & Records Manager, I knew that digital archiving was involved at some level because the job responsibilities included archiving the university’s website. There was also some discussion of digital archiving during the in-person interview, which made me wary.

memebetter.com-20170622094558

Prior to this position my experience with digital archiving consisted of a brief introduction to the home-grown system used by the Utah State Archives and some basic information about checksums and multiple copies in multiple locations. My previous position was at a small state university without the infrastructure, funding, or staffing to undertake any kind of digital archiving beyond saving digitized material in multiple places with occasional validation checks by the systems librarian. The closest I came to digital archiving was downloading important records off of the university website to the backed up shared drive used by the library.

I’m still within the first five years of my career as a librarian/archivist, and I remember my graduate program offered a single course on digital records management. I didn’t take it because I didn’t necessarily want to be a records manager, and I wasn’t terribly interested in digital archiving.  As an English major, I assumed that I didn’t have the technical knowledge base to make it a viable option anyway.

memebetter.com-20170622101037But here I am. Undercover digital archivist. I’m a digital archivist by necessity because the archives and records I process and manage as part of my job sometimes show up on hard drives and legacy media. I’m also responsible for archiving the website. How did I do it? How did I go from some vague idea of checksums and LOCKSS to undercover digital archivist? I read. A lot. Fortunately, my institution invested in Archive-It for archiving the website and ArchivesDirect (hosted Archivematica) for managing the bulk of the digital preservation activities. I read all of their documentation. I started reading bloggERS! and about the Bentley Historical Library’s Mellon-funded ArchivesSpace-Archivematica-DSpace Workflow Integration project. My predecessor created a preliminary workflow and processing manual based on the early attempt to self-host Archivematica, so I read that and tried to understand it all.

I started attending the Society of American Archivists’ Digital Archivist Specialist certificate courses being offered in this region. I talked to our systems team. I read some more. I looked up terminology on Wikipedia. I took more DAS courses, some of which were more helpful than others. I figured out the gaps in the workflow.

Do I feel like a digital archivist after all of that? Not really. I still feel like something of an imposter.memebetter.com-20170622095504

memebetter.com-20170622102324After all, I don’t get to do much digital archiving in the grand scheme of my job. It’s challenging to find time to focus on processing the digital material through our workflow because it is time consuming. For all that we have ArchivesDirect, there’s proper stewardship to consider prior to ingest into Archivematica. I have gradually added steps into the workflow, including verifying fixity when copying from media to our digital processing drive and when copying from that drive to the secure file transfer protocol provided by ArchivesDirect. There are also the inevitable technical hiccups that happen whenever systems are involved. Human errors play a role as well, like that time someone sent me a duplicate of their entire hard drive before they left their job with no warning or explanation of its contents.

memebetter.com-20170622112610

What have I learned? I can be a digital archivist if I have to be, and command line isn’t as intimidating as it always seemed. I learned the basics of the command line interface from our digital asset management librarian combined with the Internet and trial and error. I wouldn’t claim to have even intermediate knowledge of command line, but not being intimidated by it makes digital archiving much easier. Being a digital archivist seems to be mostly a willingness and ability to constantly reassess, learn, adapt, and try something else.

memebetter.com-20170622101204

___

amber_cornwall

Amber D’Ambrosio is Processing Archivist & Records Manager at Willamette University, a small, urban liberal arts college in Salem, Oregon, where she manages the collections and wrangles ArchivesSpace and Archivematica. In her spare time she writes, reads about early modern London, hikes, travels, and obsessively visits the Oregon Coast.