Latest #bdaccess Twitter Chat Recap

By Daniel Johnson and Seth Anderson

This post is the eighteenth in a bloggERS series about access to born-digital materials.

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In preparation for the Born Digital Access Bootcamp: A Collaborative Learning Forum at the New England Archivists spring meeting, an ad-hoc born-digital access group with the Digital Library Federation recently held a set of #bdaccess Twitter chats. The discussions aimed to gain insight into issues that archives and library staff face when providing access to born-digital.

Here are a few ideas that were discussed during the two chats:

  • Backlogs, workflows, delivery mechanisms, lack of known standards, appraisal and familiarity with software were major barriers to providing access.
  • Participants were eager to learn more about new tools, existing functioning systems, providing access to restricted material and complicated objects, which institutions are already providing access to data, what researchers want/need, and if any user testing has been done.
  • Access is being prioritized by user demand, donor concerns, fragile formats and a general mandate that born-digital records are not preserved unless access is provided.
  • Very little user testing has been done.
  • A variety of archivists, IT staff and services librarians are needed to provide access.

You can search #bdaccess on Twitter to see how the conversation evolves or view the complete conversation from these chats on Storify.

The Twitter chats were organized by a group formed at the 2015 SAA annual meeting. Stay tuned for future chats and other ways to get involved!

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Daniel Johnson is the digital preservation librarian at the University of Iowa, exploring, adapting, and implementing digital preservation policies and strategies for the long-term protection and access to digital materials.

Seth Anderson is the project manager of the MoMA Electronic Records Archive initiative, overseeing the implementation of policy, procedures, and tools for the management and preservation of the Museum of Modern Art’s born-digital records.